Vague Space Favorite Bands of All-Time
- TBA
- Pavement
- Modest Mouse
- Bright Eyes
- Mogwai
- Superchunk
- Sunset Rubdown
- Explosions in the Sky
- Sufjan Stevens
- Okkervil River
The top 2 bands on my list are different from the rest of the top 10 (other than Superchunk) in that I started listening to them well before 2000. In fact, my Pavement love goes all the way back to the 1994 release of their second (and I believe greatest) album Crooked Rain, Crooked Rain. The Stockton, CA, band is obviously legendary in indie rock circles -- they are the almost the definition of "indie rock," emerging from the home studio of infamous Stockton local and former hippie Gary Young, where founding members Stephen Malkmus and Scott Kannberg (a.k.a. Spiral Stairs) recorded some early lo-fi singles while Young played drums. Upon first hearing the duo's songs, Young was quoted as saying, "this Malkmus idiot is a complete songwriting genius." Truer words were never said.
In 1992, Mark Ibold came on as a bassist and Bob Nastanovich came on to add extra percussion and background screaming. Debut album Slanted and Enchanted became legendary before its actual release, after circulation among critics and indie hipsters. It has since been named one of the top albums of all-time by Rolling Stone and the following publications:
Gary Young and his drunken ways were kicked out of the band (or he quit) after touring for Slanted, and Steve West took over drums for Crooked Rain, Crooked Rain, which produced a couple minor MTV hits ("Range Life" and "Cut Your Hair") that first introduced me to the band. Poised on the verge of major success (following the alternative rock wave begun by Nirvana and Pearl Jam), Pavement released the diverse, eclectic collection of songs that would form Wowee Zowee, which was neither a commercial or critical success. In retrospect, the album is considered at least as good as the previous two and in many opinions, better (I would put it just below, but not by much). Unfortunately, hindsight didn't help the band sell any records, and Wowee Zowee did not remotely give the group the success it deserved.
On the Slow Century DVD, Malkmus attributed his odd choice of singles to his pot smoking, stating that "I was smoking a lot of grass back then but to me they sounded like hits."
Brighten the Corners followed in 1997, but besides a few good songs ("Stereo", "Shady Lane", and the Kannberg-penned " Date with IKEA"), the album was not on the amazing level set by their previous releases. Of course, it became their top-selling release at the time. But the band's members started to fragment in the years following the release, and 1999's Terror Twilight was a massive disappointment. Malkmus had grown reclusive and distant and his arguments with Kannberg over his refusal to put any of the latter's songs on the new LP led to the band's eventual breakup at the end of the tour in support for their last album in 2000.
Malkmus has gone on to an initially productive solo career (his first album included the greatest song ever named "Vague Space") but has since put out albums with a much more divergent sound (from the Pavement vibe) that is more prog-rock than anything, and I haven't really cared for them. Kannberg released two albums under the moniker Preston School of Industry, but I never got into them. But the band itself has stayed in the limelight this decade with Matador's biannual ten-year anniversary editions of each of their first three classic albums, all released as double albums featuring 20+ unreleased, live, and B-side singles in addition to the remastered classics. I've discovered a number of songs that I never knew before, and their incredible output of non-stop brilliant tracks between 1991 and 1995 are the reason the band is my #2 favorite of all-time.
Rumors of a reunion persist, but there's nothing concrete. Matador's latest expanded anniversary edition, this time 11 years after release, of Brighten the Corners is coming out in early November. I, for one, cannot wait.